![]() Like these poets, Griffioen’s poetry is a narrative poetry in which prose sections alternate with more lyrical passages. Griffioen’s work is in some ways related to that of contemporaries Marieke Lucas Rijneveld and Daniël Vis. Death, love and the strong feeling that the poetic persona is trapped in himself are the themes that dominate Griffioen’s second collection. The light is red like the mazda the 626626Īt times it is as if Jimmy is being celebrated (“but Jimmy I want you Jimmy here I come”) but this declaration of love can equally be interpreted as a desire for the union that comes with death. Out of the circling void in the sky grows a light Memories of his special-needs school in the forested parts of central Holland and the therapies he had to go through are alternated with memories of Jimmy and visions of a resurrected Jimmy whoįalls like a thunderclap a circling void in the sky A narrative has been woven into the poems, which helps sustain a sense of cohesion: the poetic persona stays awake for 40 hours thinking about his dead friend Jimmy who used to drive “a red Mazda 626 from 1990”. ![]() The solipsism has clearly been turned up a notch, if only because in this filmically written collection the poetic persona is on the autism spectrum. This approach is further developed in Gedichten met een mazda 626 . Without reservation, the poetic persona takes the reader on a tour through the different layers of his consciousness. There is an observing and solipsistic strength at play in Griffioen’s work that allows the reader access into the mind of his protagonist. His poetry turns from the descriptive to the lyrical, using the repetition of single words and lines to establish rhythm and musicality. Griffioen scrutinizes his youth in a stream-of-consciousness like flow of images and thoughts. The poems aren’t realistic but strongly associative. This is where they watch girls – “tight zips with iron tongues and breasts stuffed with socks” – while their mothers lean from their balconys like “flowerpots”, keeping an eye on things. In five long and meandering poems, each ending with a sort of pause, the poet sketches teenagers hanging out on street corners, in small squares and at empty bus shelters. Griffioen’s first collection Wijk offers up a panoramic view of a teenager’s life. It was also long listed for the Grote Poëzieprijs 2019. His second collection, Gedichten met een mazda 626 followed in 2018 and was awarded the J.C. Griffioen made it into the semi-finals of the NK Poetry Slam 2015. He writes about growing up in this small provincial town in his first collection Wijk (2015), which was nominated for the C. Participants will convene at Sabado Studios in Wailuku, with ample space for social distancing while intimate enough to interact, create and enjoy.Jonathan Griffioen (1987) was born in Amsterdam and grew up in Wijk bij Duurstede. ![]() Encourage you to showcase your experiences through your unique lens of growing up on Maui.Help you begin to develop your own poetic/performance voices.Introduce a small group of interested teens to spoken word performances (slam poetry).SMALL TOWN * BIG ART presents Wailuku-based teaching artist Heather Knowles Negaard's FREE Slam Poetry Workshop! Sabado Studios 38N Market Street, Wailuku (NEW location the Brown-Kobayashi Building)
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